Bold Campaign Poster — Oversized Type
User input
Title:
Theme:
Core message:
Visual direction:
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Highest-priority rules
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Based on the information above, create one image with strong visual impact:
Bold Commercial Poster × Oversized Typography × Premium Editorial Advertising
A 9:16 vertical commercial campaign key visual.
Generate only, each time:
One image. One core subject. One set of main title text. One complete composition. One clear visual focal point.
Do not generate:
collages multi-panel grids storyboards top-and-bottom split layouts side-by-side case collections sets of several posters contact sheet moodboard triptych diptych collage several equally important subjects several separate scenes lots of UI windows lots of icons lots of sticky notes lots of explanatory text
Even if the theme contains a lot of information, choose only the single core idea with the most visual power to express.
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Step 1: Understand the theme first
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Do not jump from a keyword straight to a matching object.
First understand:
What does this theme really want to say?
What is most worth amplifying?
Is it:
pressure speed desire losing control choice dependence growth conflict loneliness strength repetition overload breakthrough competition stagnation change depletion
Compress the complex theme into one simple, direct visual relationship that can be understood at a glance.
For example:
A person being compressed by some force.
An ordinary object suddenly so huge it loses normal proportion.
A figure trying to control something far bigger than themselves.
A product occupying the whole space like a sculpture.
A subject undergoing a change that is impossible yet easy to understand.
Do not try to draw every piece of information in the theme.
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Step 2: Choose only one core subject
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The whole piece must be built around one main subject.
The subject can be:
a person a product an animal a machine a car a phone a computer a building furniture clothing food a sculpture an everyday object an abstract geometric form an object related to the theme
The core subject must be large enough.
It should take up about:
40%–70%
of the visual area.
The subject must be the first thing seen.
If you use a person, prefer:
a single person half-length a bust an extreme close-up a single full-length figure
Avoid complex groups of people.
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Step 3: Keep only one visual anomaly
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To make the image memorable, you may transform the subject boldly, once.
Best fit for the themeYou can change:
scale material proportion structure form gravity position
For example:
oversizing making it transparent making it metallic making it glass making it liquid making it sculptural floating compressing stretching slicing inflating deforming
But use only the single strongest anomaly in one image.
Do not add lots of visual effects at the same time.
The goal is:
One anomaly that people remember.
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Step 4: Oversized text takes part in the composition
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A key feature of this visual system is:
Oversized Typography.
The text cannot be just an ordinary title.
The text itself is the structure of the image.
If the user fills in a title:
Use the user's title first.
If the title is long:
Extract the most powerful
1–4 characters or words
as the oversized visual text.
The full title can appear smaller as supporting text.
If the user leaves the title empty:
Automatically distill a short, powerful title from the theme.
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Oversized type rules
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The main visual text should be:
huge heavy striking simple architectural
Prefer:
Bold Condensed Sans Serif Heavy Grotesk Compressed Display Type Swiss Typography Editorial Display Type
Chinese type should look:
bold square weighty clearly structured
The text may:
repeat 2–3 times run beyond the frame be cropped be covered by the subject extend to the edges of the image
Do not shrink the text out of worry that it will not show in full.
The big type is itself part of the visual impact.
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Subject and text relationship
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Prefer a three-layer visual structure:
background → huge text → core subject
The subject should sit in front of the text.
The subject may cover part of the text.
The text should still be roughly legible.
Do not simply end up with:
title on top person below
or:
text on the left subject on the right
The subject and the text should truly interact in space.
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9:16 vertical composition
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The image uses:
9:16 vertical format.
Make full use of the vertical space.
You can choose:
a huge centered subject the subject placed low the subject placed high the subject breaking the frame an extreme close-up a half-length figure an oversized product subject and text overlapping vertically large areas of empty space text running from top to bottom the subject pressing on the middle area the title cropped at the top and bottom
The image should have strong visual impact on a phone screen.
At first glance you should see:
big subject + big text.
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Color
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Keep the overall palette to:
2–4 main colors.
Recommended structure:
one highly recognizable background color
+ one main title color + one subject material color + one optional accent color
Best fit for the themeChoose the background automatically based on the theme:
highly saturated blue cobalt blue deep blue pure red tomato red bright orange acid yellow cream white deep green purple black charcoal gray
Colors should be:
bold direct large in area high contrast
Avoid:
complex rainbow gradients too many colors messy local colors cheap neon looks
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Background
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By default the background stays:
simple large in area clean uniform
Prefer:
a solid-color background very slight tonal variation a minimal studio space a minimal abstract space
Unless the theme clearly needs it,
do not add complex:
offices cities streets rooms workbenches interior decoration crowds landscapes
The background's job is:
to make the subject stand out.
Not to tell a story.
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Subject material
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Best fit for the themeAutomatically choose the visual material that best suits the theme.
You can use:
real photography silver chrome brushed metal liquid metal clear glass frosted glass acrylic clear resin ceramic rubber matte plastic fabric paper stone marble wood
Do not default to silver metal.
The material must serve the theme.
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People
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If the subject is a person:
show only one person by default.
Keep the action simple and clear, for example:
looking straight at the camera a hand on the forehead head lowered head raised reaching out holding an object looking back holding something up with both hands a simple seated pose a simple standing pose
The person should not do several actions at once.
Do not pile up around the person:
computers phones documents windows sticky notes coffee cups icons
The person is the subject.
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Products and objects
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If the subject is a product or object:
make it large enough.
You can use:
floating tilting frontal display a close-up detail oversizing sculptural display breaking the frame
Do not add lots of accessories to fill the image.
One big subject works better than a pile of small props.
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Supporting information
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Besides the main title, add at most:
1 small supporting information area.
It can sit at:
top left top right bottom left bottom right
Its content can be:
a subtitle a date a number a series name one short line of copy
It must be clearly smaller than the main title.
Supporting information is only an accent.
It must not take over the visual focal point.
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Lighting
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Use:
Premium Commercial Lighting
Emphasize:
clean contours refined highlights soft shadows rim light material reflections layering of the subject a light soft glow
People look like high-end fashion advertising photography.
Products look like high-end product photography.
3D subjects have refined commercial CGI quality.
Do not make it look like cheap plastic 3D.
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Visual hierarchy
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First glance:
see the core subject.
Second glance:
see the huge title.
Third glance:
see the supporting information.
Do not make everything equally loud.
There must be:
a high-information area a mid-information area a low-information area
Leave enough empty space in the image.
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Especially avoid
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Do not draw a robot just because of AI.
Do not draw a chip just because of technology.
Do not draw candlestick charts just because of finance.
Do not draw gears just because of efficiency.
Do not draw a light bulb just because of creativity.
Do not draw lots of notifications just because of anxiety.
Do not draw an office desk just because of work.
Do not draw a computer screen just because of the internet.
Look for a simpler, bolder, more advertising-like visual expression first.
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Styles to avoid
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Avoid:
generic AI artwork infographic magazine cover UI collage busy collage PowerPoint composition e-commerce banner social media template generic futuristic poster cyberpunk synthwave gaming poster movie poster cliché complex cinematic environment holographic interface clutter rainbow gradient cheap 3D render stock photography layout
Do not generate:
an image that "has everything".
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Target visual system
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The final visual should be close to:
High-end Commercial Advertising Bold Advertising Campaign Premium Editorial Advertising Swiss Graphic Design Sports Campaign Fashion Campaign Technology Campaign Oversized Typography Studio Photography Premium 3D Advertising Contemporary Brand Key Visual
Overall feel:
like a campaign key visual made by an experienced creative team.
Not:
ordinary AI illustration.
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Final checklist
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Check before generating:
1. Is there only one core subject? 2. Is the subject large enough? 3. Is there only one set of main big text? 4. Do the subject and the big text truly overlap? 5. Is the background simple enough? 6. Are there no lots of scattered elements? 7. Is there no large amount of explanatory text? 8. Is the palette kept to 2–4 colors? 9. Is there a clear visual focal point at first glance? 10. Does it suit viewing on a 9:16 vertical phone screen? 11. Is it still clear when scaled down? 12. Does it look like a commercial campaign, not an infographic or a themed illustration?
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Final goal
Compress any theme the user gives into:
one core subject + one bold visual anomaly + one set of oversized type + one strong background color + one clear visual focal point.
What stays fixed:
Bold Commercial Poster × Oversized Typography × Premium Editorial Advertising
What changes:
subject color material composition text visual concept
Do not explain the design process.
Directly create the final 9:16 vertical image.